STREET MUSICIANS, ARTISTIC PRACTICES AND SURVIVAL STRATEGIES: AN ETHNOGRAPHIC EXAMPLE (DIONYSIOU AREOPAGITOU STREET, ATHENS)
Keywords:
street musicians, music, street art, survival strategies, street ethnography, musical performances, musical themesAbstract
This research is based on ϐieldwork I carried out as a researcher during years 2016 and 2017 at Dionysiou Aeropagitou pedestrian street, in the framework of a wider research program. The research is based on ethnographic data resulting from the ϐieldwork at the Dionysiou Aeropagitou pedestrian street. Initially, the issue of street performers is brieϐly addressed, and then there is a reference to the particular issue of street musicians and the categories that are traced right now in Athens, and in particular at the Dionysiou Aeropagitou pedestrian street. The main part of the article will refer to and analyze the daily practices followed by these people in order to attract a wider audience and earn money, as well as the way in which these tactics are integrated in the wider framework of survival strategies in the city. In addition, this article refers to the methodology of the research and the way in which these performers are approached.
References
Avdikos, Evangelos. 2017. I poli. Laograϔikes kai ethnograϔikes optikes. Athens: I. Sideris.
Bourdieu, Pierre. 1977. Outline of a Theory of Practice. Cambridge: Cambridge University Press.
Bourdieu, Pierre. 1985. De la Règle aux Strategies: Entretien avec P. Bourdieu. Terrain 4: 93-100.
Brown, Penelope & Stephen Levinson. 1987. Politeness. Some Universals in Language Usage. Cambridge: Cambridge University Press.
Campbell, Patricia. 1981. Passing the Hat – Street Performers in America. New York: Delacorte Press.
Canter, David. 1988. “Action and Place: An Existential Dialectic”. In Ethnoscapes: Environmental Perspectives, eds. D. Canter et al., 1-17. Hampshire: Gower, Aldershot.
Certeau Michel. De. 1980. L’Invention du Quotidien I. Paris: Arts de Faire.
Fleisher, Mark. 1995. Beggars and Thieves. Life of Urban Street Criminals. Wisconsin: Wisconsin University Press.
Goffman, Erving. 1959. The Presentation of Self in Everyday Life. New York: Doubleday – Anchorbooks.
Harrison-Pepper, Sally. 1990. Drawing a Circle in the Square – Street Performing in New York’s Washington Square Park. Mississippi: University Press of Mississippi.
Kakamboura, Rea. 2008. Aϔigisis zois. I viograϔiki prosegisi sti sihroni laograϔiki erevna. Athens: Atrapos.
Kyriakidou-Nestoros, Alki.1989. Laograϔika Meletimata. Athens: E.L.I.A.
Kouzas, Georgios. 2017. I epetia stin poli. Morfes organosis, stratigikes epiviosis, taftotites. Athens: Papazissis.
Lydaki, Anna. 2016. Anazitontas to hameno paradigma. Epiotopia erevna, katanoisi, erminia. Athens: Papazissis.
Marcus, George. 1995. Εthnography in/of the World System: The Emergence of multi-sited Ethnography. Annual Review of Anthropology 24: 95-117.
Nitsiakos, Vassilis. 2003. Htizontas to horo kai to hrono. Athens : Odysseas.
Tanenbaum, Susie. 1995. Underground Harmonies – Music & Politics in the Subways of New York. Ithaca, New York: Cornell University Press.
Tonkin, Elisabeth. 2003. “Participant Observation”. In Ethnographic Research. A Guide to General Conduct, ed. R. F. Ellen, 216-233. London: Academic Press.
Varvounis, Manolis. 1994. Symvoli sti methodologia tis epitopias laograϔikis erevnas. Athens: Odysseas.
Wallman, Sandra. 1979. “Introduction”. In Social Anthropology of Work, ed. S. Wallman, 1-24. London: A. S. A. Monograph, Academic Press.
White, William. 1988. Rediscovering the Center City. New York: Doubleday.