Digital Objects of Memory: Screenshots from an Anthropological Perspective

Authors

  • Mina Đorđević studentkinja master studija na Odeljenju za etnologiju i antropologiju Filozofskog fakulteta Univerziteta u Beogradu

Keywords:

screenshots, digital anthropology, memory studies, digital natives, evocative objects, material culture studies, digital objects, digital photography, digital materiality

Abstract

This research explores screenshots as digital objects of memory in the lives of individuals born after 1990 in Serbia and the former Yugoslav republics. As the first academic inquiry into screenshots in this region, the study offers an anthropological perspective on their role and significance, highlighting the relevance of screenshot creation and preservation in the daily lives of young people. The ethnographic material analyzed includes testimonies from seven individual and group interviews and over ninety responses to an online survey distributed via social media. Drawing on the contributions of new material culture studies, digital anthropology, and memory studies, and referencing key concepts such as evocative and biographical objects, this anthropological analysis aims to provide a framework for further exploration of this topic within the broader social sciences and humanities. The research transcends the technical and aesthetic understanding of screenshots, seeking instead to comprehend them as fragments of events in the digital space that chronicle personal and social histories and, most importantly, as digital objects with the agency to evoke memories and shape identities.

References

Banić Grubišić, Ana. 2023. Internet mimovi između folklora i popularne kulture. Beograd: Filozofski fakultet, Odeljenje za etnologiju i antropologiju i Dosije studio.

Bart, Rolan. 2011. Svetla komora, beleška o fotografiji. Beograd: Kulturni centar Beograda.

Belaj, Melanija. 2008. Obiteljska fotografija kao kreiranje i arhiviranje (poželjne) stvarnosti. Narodna umjetnost: hrvatski časopis za etnologiju i folkloristiku 45 (2): 135-151.

Belk, Russell W. 1988. Possessions and the extended self. Journal of consumer research 15 (2): 139-168.

Belk, Russell. 2013. Extended Self in a Digital World. Journal of Consumer Research 40 (3): 477-500.

Brujić, Marija. 2017. Kratak uvod u istoriju antropologije fotografije. Etnoantropološki problemi 12 (1): 129-147.

Corry, Frances. 2021. Screenshot, save, share, shame: Making sense of new media through screenshots and public shame. First Monday 26 (4-5).

Cramer, Emily M., Yoonmo Sang and Sunyoung Park. 2019. Uses and gratifications of the screenshot in human communication: An exploratory study. The Electronic Journal of Communication 29 (1-2).

van Dejk, Joze. 2018. Posredovana sećanja u digitalnom dobu. Beograd: Clio.

Erdei, Ildiko. 2008. Antropologija potrošnje. Biblioteka XX vek.

Frosh, Paul. 2018. The poetics of digital media. Hoboken: John Wiley & Sons.

Foucault, Michel. 2010. Pisanje o sebi. Polja 463: 44-54.

Van Genep, Arnold. 2005. Obredi prelaza: sistematsko izučavanje rituala. Beograd: Srpska književna zadruga.

Gerling, Winfried. 2018. Photography in the digital: screenshot and in-game photography. Photographies 11 (2-3): 149-167.

Hine, Christine. 2008. Virtual ethnography: Modes, varieties, affordances. The SAGE handbook of online research methods: 257-270.

Horst, Heather and Daniel Miller. 2006. The cell phone: an anthropology of communication. Oxford: Berg.

Kneese, Tamara. 2022. Breakdown as method: Screenshots for dying worlds. Media Theory 5 (2): 142-166.

Kopytoff, Igor. 1986. The cultural biography of things: commoditization as process. The social life of things: Commodities in cultural perspective 68: 70-73.

Kozinets, Robert. 2015. Netnography: Redefined. London: SAGE.

Kuhn, Annette. 2000. A journey through memory. Memory and methodology. Oxford: Bloomsbury Publishing.

Kuljić, Todor. 2006. Kultura sećanja: teorijska objašnjenja upotrebe prošlosti. Beograd: Čigoja.

Madianou, Mirca and Daniel Miller. 2013. Migration and new media: Transnational families and polymedia. London: Routledge.

Matović, Marijana. 2021. Medijske generacije u Srbiji. Etnoantropološki problem 16 (2): 459-490.

Miller, Daniel. 2018. „Digital Anthropology“. In The Cambridge Encyclopedia of Anthropology, eds. F. Stein, S. Lazar, M. Candea, H. Diemberger, J. Robbins, A. Sanchez & R. Stasch, 1-16.

Miller, Daniel and Jolynna Sinanan. 2014. Webcam. Hoboken: John Wiley & Sons.

Moore, Christopher. 2014. „Screenshots as virtual photography: Cybernetics, remediation, and affect“. In Advancing digital humanities: research, methods, theories, eds. Arthur, P. L. and K. Bode, 141-160. London: Palgrave Macmillan UK.

Mottelson, Aske. 2023. Why do people take Screenshots on their Smartphones? Proceedings of the 2023 ACM Designing Interactive Systems Conference.

Oblinger, Diana and James L. Oblinger, eds. 2005. Educating the Net Generation. Available at: https://www.educause.edu/ir/library/PDF/pub7101.PDF

Pink, Sarah. 2012. „Visual ethnography and the internet“. In Advances in visual methodology, ed. Sarah Pink, 113-130. London: SAGE

Prensky, Marc. 2001. Digital natives, digital immigrants part 1. On the Horizon 9 (5): 1-6.

Radivojević, Sonja. 2020. (De) kolonizacija digitalnog okruženja: internet i novi(ji) mediji kao mesta savremenih antropoloških istraživanja i kako im etnografski prići. Glasnik Etnografskog instituta SANU 68 (2): 419-438.

Turkle, Sherry. 2011. Alone Together: Why We Expect More from Technology and Less from Each Other. New York: Basic Books.

Švelch, Jan. 2021. Redefining screenshots: Toward critical literacy of screen capture practices. Convergence 27 (2): 554-569.

Žakula, Sonja. 2012. Da li kiborzi sanjaju biomehaničke ovce? Telo i hiperrealnost. Antropologija 12 (2): 43-61.

Downloads

Published

2024-12-31

How to Cite

Đorđević, M. (2024). Digital Objects of Memory: Screenshots from an Anthropological Perspective. Papers in Ethnology and Anthropology, 35(24), 145–169. Retrieved from https://easveske.com/index.php/pea/article/view/445